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Biblioteca della chitarra e del mandolino
PDF
music sheets
Musical Archive of originals and adaptations with guitar
or lute
in PDF
by A.Nagytothy-Toth
Contact:
info@vpmusicmedia.com |
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||||| VOICE & GUITAR ||||| Originals and adaptations for voice and guitar or lute in PDF format Revised and edited by Abel Nagytothy-Toth This collection will be gradually published. It comes from the Canadian guitarist and musicologist Abel Nagytothy-Toth. He intends to donate his life time work to the guitar community for public performances and sound engravings only. For any other use respecting the International Copyright Law, please contact the editor. free download
You must have Acrobat Reader to view the files. If you receive an error please get the latest version of Acrobat Reader ♦ Collection of 336 originals and adaptations for voice and guitar or lute free download
Many songs are based on old publications (from the epoch of the composer). The editor do not respond for the originality of the instrumentation. It could be an adaptation.
The collection contains: ♦ Have you seen but a white lily grow ? (XVI-XVII c.) ♦ How should I your true love know? (Ophelia's song) (XVII c.) ♦ Silver threads among the gold ♦ The meeting of the waters (Irish traditional) ♦ The harp that once thro' Tara's halls (Irish traditional) ♦ Nobody knows de trouble I've seen (Spiritual) ♦ Sometimes I feel (Spiritual) ♦ Vieni sul mar (Canzone Veneziana) ♦ Santa Lucia (Canzone Napoletana) ♦ Lo Desembre congelat ♦ Perdida teñyo la calor ♦ Duérmete neñu ♦ Claros soles son (Christmas carol) ♦ 4 Canciones Españolas: La flor de la canela, La Manola, La mia doncella, Zorongo Arne, Michael (1741-1786) ♦ The lass with the delicate air Arne, Thomas (1710-1778) ♦ Would you taste the noontide from masque "Comus", for voice and lute (guitar) from masque "Comus", for voice and lute (guitar) Asioli, Bonifacio (1769-1832) Auber, David François (1782-1871) Aria from the opera "La Fiancée" - adapted for voice and guitar Aria from the opera "Gustave III o la bal masqué" - adapted for voice and guitar Aria from the opera "Fra Diavolo" - adapted for voice and guitar Aria from the opera "Fra Diavolo" - adapted for voice and guitar Bach, Johann Sebastian (1685-1750) ♦ Ins Licht (O finstre Nacht) BWV.492 Schemelli’s Musicalisches Gesang-Buch n.891 - adapted from original for voice and B.C. Aria from "Magnificat" - adapted from original for soprano, oboe d'amore and B.C. Bailly, Henry de (15..-1637) Balfe, Michael William (1808-1870) ♦ I dreamt that I dwelt in marble halls Aria from the opera "The Bohemian Girl", adapted for soprano and guitar ♦ Lute book lullaby Beethoven, Ludwig van (1770-1827) Aria dall'opera "Fidelio", adapted for voice and guitar ♦ Freudvoll und leidvoll Op.84/4 (1810) Lied from “Egmont”, incidental music for the homonymous tragedy by J.W. v. Goethe (1810), adapted for voice and guitar ♦ Der Kuss Op.128 ♦ Ich liebe dich WoO.123 Bellini, Vincenzo (1801-1835) Aria composed at the age of 12, adapted from original for voice and piano Romanzetta, adapted from the original for voice and piano Arietta, adapted from the original for voice and piano Arietta su testo di Metastasio, adapted from the original for voice and piano Arietta, adapted from the original for voice and piano Aria dall'opera "La Sonnambula", adapted for voice and guitar Aria dall'opera "La Sonnambula", adapted for voice and guitar Aria dall'opera "La Sonnambula", adapted for voice and guitar Aria dall'opera "Norma", adapted for voice and guitar Aria dall'opera "Norma", adapted for voice and guitar Aria dall'opera "Norma", adapted for voice and guitar Aria dall'opera "I Capuleti e i Montecchi", adapted for voice and guitar Aria dall'opera "I Capuleti e i Montecchi", adapted for voice and guitar Aria dall'opera "La Straniera", adapted for voice and guitar Aria dall'opera "La Straniera", adapted for voice and guitar Aria dall'opera "I Puritani", adapted for voice and guitar Aria dall'opera "Beatrice di Tenda", adapted for voice and guitar Besard, Jean Baptiste (1567-1625) Bevilacqua, Matteo (1772-1849) ♦ Cavatina n.1 ♦ Cavatina n.2 ♦ Cavatina n.3 ♦ Cavatina n.4 Bianchi, Antonio (1758-1817) Theme to C. M. v. Weber Op.7 Variations for piano Bizet, Georges (1838-1875) ♦ Sérénade ♦ Voyage Blangini, Felice (1781-1841) ♦ Vanne al mio bene ♦ Non ti celar con me Blow, John (1649-1708) Bortolazzi, Bartolomeo (1772-1820?) Brambilla, Louis (1709-1791) ♦ Le noveau Diogène Op.7/2♦ Stances à mon Epouse Op.7/3Briceño, Luís (15..-1630) Caccini, Francesca (1587-1640) ♦ Dove io credea, Voice, Lute (Guitar) Caccini, Giulio (1551-1618) Caldara, Antonio (1670-1736) Carafa, Michele (1787-1872) ♦ Cavatina "De sdegni tuoi" ♦ Un vieux bergier loin du hameau Aria dall'opera "La Violette" adapted for voice and guitar Catalani, Alfredo (1854-1893) ♦ Ebben, ne andrò lontana Aria dall'opera "La Wally" adapted for voice and guitar Certon, Pierre (1510 ca.-1572) - Morlaye, Guillaume (1510 ca.-1558 ca.) ♦ Psalm CXIV ♦ Nunc dimittis (Cantique de Simeon) Chapi y Lorente, Ruperto (1851-1909) ♦ Las Hijas del Zepedeo Cherubini, Luigi (1760-1842) ♦ Je n'ai besoin Aria dall'opera "Anacréon" adapted for voice and guitar Christiersson, Henrik (1845-1914) ♦ Dulcisimo recuerdo de mi vida Cimarosa, Domenico (1749-1801) ♦ Ah se t’amo Aria dall'opera "La felicità inaspettata" adapted for voice and guitar ♦ La donna che [è] amante Aria dall'opera "Gianina e Bernardone" adapted for voice and guitar ♦ Mädchen, wenn ihr in pochenden Herzen Aria dall'opera "Die Theatralischen Abendteuer" (German version of "L'impresario in angustie" translated by Goethe, 1791) adapted for voice and guitar Aria dall'opera "L'impresario in angustie" adapted for voice and guitar probably composed by Tommaso Giordani or Felicie Giardini ♦ Die Spröde un die Bekehrte (Goethe) 2 Lieder by Goethe adapted for voice and guitar ♦ Ah tornar la bella Aurora Aria dall'opera "La Vergine del Sole" adapted for voice and guitar ♦ Guardami! E in questo ciglio Aria dall'opera "Gli Orazi ed i Curiazi" adapted for voice and guitar Conti, Francesco Bartolomeo (1681-1732) [Benedetto Marcello (1686-1739) ??] ♦ Il mio bel fuoco Crescentini, Girolamo (1762-1846) ♦ Tu mi chiedi, omio tesoro ♦ Fandango y Coplas Denza, Luigi (1846-1922) Di Capua (1865-1917) ♦ Maria, Marí ♦ O Sole Mio Donizetti, Gaetano (1797-1848) ♦ Amor marinaro [Me voglio fa' 'na casa]: Soirée d'automne à l'Infrascata Song adapted for voice and guitar Aria dall'opera "Lucia di Lammermoor" adapted for voice and guitar Aria dall'opera "Lucia di Lammermoor" adapted for voice and guitar Aria dall'opera "Lucia di Lammermoor" adapted for voice and guitar Aria dall'opera "Don Pasqualer" adapted for voice and guitar Aria dall'opera "Don Pasqualer" adapted for voice and guitar Aria dall'opera "Don Pasqualer" adapted for voice and guitar Aria dall'opera "Don Pasqualer" adapted for voice and guitar Aria dall'opera "La fille du régiment" adapted for voice and guitar Aria dall'opera "La fille du régiment" adapted for voice and guitar Aria dall'opera "Don Sebastiano re del Portogallo" adapted for voice and guitar Aria dall'opera "Lucrezia Borgia" adapted for voice and guitar Aria dall'opera "Lucrezia Borgia" adapted for voice and guitar Aria dall'opera "Maria di Rohan" adapted for voice and guitar Aria dall'opera "Maria di Rohan" adapted for voice and guitar Aria dall'opera "La Favorita" adapted for voice and guitar Aria dall'opera "La Favorita" adapted for voice and guitar Exaudet, André-Joseph (1710-1762) Foster, Stephen Collins (1826-1864) Song adapted for voice and guitar Franz, Robert (1815-1892) ♦ Widmung Op.14/1 Frescobaldi, Girolamo (1583-1643) ♦ Sonetto: Bass, Theorbo (Guitar) Fuenllana, Miguel de (1500-1579)♦ De Antequera sale el moro (de Christobal de Morales)Gade, Nils Wilhelm (1817-1890) Gluck, Christoph Willibald (1714-1787) Aria dall'Opera 'Paride e Enea', adapted for voice and guitar Aria dall'Opera 'Orfeo e Euridice', adapted for voice and guitar Gomiz y Colomer, José Melchor (1791-1836) Gounod, Charles (1818-1893) ♦ Medjé Chanson Arabe adapted for voice and guitar ♦ Sérénade adapted for voice and guitar adapted for voice and guitar ♦ Si le bonheur à sourire t’invite adapted for voice and guitar ♦ Au printemps adapted for voice and guitar ♦ Ce que je suis sans toi! adapted for voice and guitar Grieg, Edward (1843-1907) ♦ Zweei braune Augen Op.5/1 Song adapted for voice and guitar Song adapted for voice and guitar Song adapted for voice and guitar Hallström, Ivar (1826-1901) Händel, Georg Friedrich (1685-1759) Aria dall'opera "Rinaldo" adapted for voice and guitar Aria dall'opera "Alcina" adapted for voice and guitar Aria dall'opera "Serse" adapted for voice and guitar from the Oratorio "Messiah" adapted for voice and guitar ♦ War, he sang HWV.75/17 from the Oratorio "Alexander's Feast" for voice and lute Harder, Johann Friedrich (1768-1813) ♦ Romanze and guitar part Haydn, Franz Joseph (1732-1809) ♦ An Thyrsis Hob.XXVIa/8 ♦ A Pastoral Song Hob.XXVIa/27 (My mother bids me bind my hair) ♦ Jeder meint, das holde Kind Hob.XXVIa/13 ♦ Lachet nicht, Mädchen Hob.XXVIa/14 ♦ An die Geliebte Hob.XXVIa/15 ♦ Gegenliebe Hob.XXVIa/16 ♦ Lob der Faulheit Hob.XXVIa/22 Heise, Peter Arnold (1830-1879) ♦ Der var en Svend med sin Pigelli ♦ Du gav mig den røde Rose Herold, Louis Joseph Ferdinand (1791-1833) ♦ Au plaisir à la folie (Zampa) ♦ Rondò (Zampa) Isouard, Nicolò (1775-1818) ♦ Romance I (Cendrillon), Soprano ♦ Romance II (Cendrillon), Tenor Jensen, Adolf (1837-1879) ♦ Si dormís doncella Op.21/3 ♦ Margareth am Thore Op.35/5 Jommelli, Niccolò (1714-1774) Arietta adapted for voice and guitar ♦ Az erdo Muzsikál Keller, Karl (1784-1855) ♦ Bolero Kossowits, József (XVIII-XIX) Kreutzer, Conradin (1780-1849) Song adapted for voice and guitar ♦ Der Wirthin Töchterlein Song adapted for voice and guitar ♦ Romanze from the Singspiel 'Die Alpenhütte', adapted for voice and guitar Kuhlau, Friedrich (1786-1831) ♦ Romance adapted for voice and guitar Lacome, Paul (1838-1920) ♦ Estudiantina ♦ Bonjour, Suzon! LeFèvre, Jacques (XVII c.) for voice and lute for voice and lute Lindbald, Otto (1809-1864) ♦ Lifdrabanten och Kung Eric Liszt, Franz (Ferencz) (1811-1885) ♦ Es muss ein Wunderbares sein ♦ De España vengo Luzzi, Luigi (1824-1876) Song adapted for voice and guitar Mahler, Gustav (1860-1911) ♦ Ich atmet’ einen linden Duft Malibran, Maria (1808-1836) ♦ L’Ecossais Romance for voice and guitar ♫→ link Alfrun Schmid, guitar Jelma van Amersfoort ♦ Le retour de la Tyrolienne Romance for voice and guitar Marín, don José (1619-1699) Martini, Jean Paul (1741-1816) ♦ Plaisir d’amour Song adapted for voice and guitar Massenet, Jules (1842-1912) Song adapted for voice and guitar ♦ Élégie Song adapted for voice and guitar Song adapted for voice and guitar ♦ Loin de moi Song adapted for voice and guitar ♦ Le sais-tu ? Song adapted for voice and guitar ♦ Crépuscule Mendelssohn-Bartholdy, Felix (1809-1847) ♦ Auf Flügheln des Gesanges Op.34/2 ♦ Venetianisches Gondellied Op.57/5 Mengozzi, Bernardo (1758-1800) ♦ Se m’abbandoni mio dolce amore Mercadante, Saverio (1795-1870) from Il Giuramento, adapted for voice and guitar Meyerbeer, Giacomo (1791-1864) ♦ Robert, Robert toi que j’aime Milán, Luis (1500-1561) ♦ Perdida tengo la color (Villancico) Moniuszko, Stanislaw (1819-1872) Monteverdi, Claudio (1567-1643) Morlaye, Guillaume (1510 ca.-1558 ca.) - Certon, Pierre (1510 ca.-1572) ♦ Psalm CXIV ♦ Nunc dimittis (Cantique de Simeon) Mozart, Wolfgang Amadeus (1756-1791) ♦ Das Veilchen KV.476 ♦ Non so più cosa son KV.492/6 from Le Nozze di Figaro, adapted for voice and guitar from Le Nozze di Figaro, adapted for voice and guitar ♦ Voi che sapete KV.492/12 from Le Nozze di Figaro, adapted for voice and guitar ♦ Giunse al fin il momento KV.492/27 from Le Nozze di Figaro, adapted for voice and guitar ♦ Abendempfindung KV.523 ♦ An Chloë KV.524 ♦ Vedrai, carino KV 527/19 from Don Giovanni adapted for voice and guitar aria sostitutiva per Le Nozze di Figaro, adapted for voice and guitar ♦ Die Bildnis KV 620/3 from Die Zauberflöte adapted for voice and guitar aria of Sarastro from Die Zauberflöte adapted for voice and guitar aria of Pamina from Die Zauberflöte adapted for voice and guitar from Messa di Requiem, adapted for voice and guitar ♦ Das Mädchen under the Vogel KV.808. Anh.248 ♦ Minna’s Augen KV.809. Anh.249 Incorrect attribution. The Lied (text by Alois Blumauer) was composed by A.E.Müeller Paër, Ferdinando (1771-1839) ♦ 4 Ariette Italiane e Tedesche ♦ La biondina in gondoletta ♦ L'amante infelice adapted by Mauro Giuliani ♦ Pupille tenere adapted by Mauro Giuliani ♦ La timida dichiarazione adapted by Mauro Giuliani Paladilhe, Emile (1844-1926) ♦ Mandolinata Pergolesi, Giovanni Battista (1710-1736) Pestalozza, Alberto (1851-1934) ♦ Ciribiribin: 1 or 2 Voices, Guitar Pettoletti, Pietro (1797-1870) Piantanida, Giovanni (1705-1782) Pisador, Diego (1509-1557) Ponce, Manuel (1882-1948) Puccini, Giacomo (1858-1924) Purcell, Henry (1659-1695) Puzzi, Giovanni (1792-1876) Rachmaninoff, Sergei (1873-1943) Reichardt, Johann Friedrich (1752-1814) ♦ Des Mädchens Klage; Wallensteins Tod - Friedrich von Schiller ♦ Klärchens Lied (1804); Egmont - J. W. v. Goethe Rode, Pierre (1774-1830) ♦ Al dolce canto Rosa, Salvator (1615-1673) Rossini, Gioacchino (1792-1868) ♦ Mi lagnerò tacendo ♦ Se il mio nome (Il Barbiere di Siviglia) ♫→ link Giuseppe Sabbatini ♫→ link Luigi Alva, 1972 ♫→ link Tito Schipa, 1926 ♦ Il vecchietto cerca (Il Barbiere di Siviglia) ♦ Ecco ridente in cielo (Il Barbiere di Siviglia) ♦ Bell'alme generose (Elisabetta Regina d'Inghilterra) ♦ Dal tuo stellato soglio (Mosè in Egitto) ♦ Come dolce all'alma mia (Tancredi) Rubinstein, Anton (1829-1894) Ruisseau, Jean Jacques (1712-1778) Rung, Henrik (1807-1871) ♦ Sang af Cymbeline. Cymbeline – W. Shakespeare Scarlatti, Alessandro (1659-1725) Schubert, Franz (1797-1828) ♦ Erlkönig D.328 ♦ Litanei D.343 ♦ Des Mädchens Klage D.389 ♦ Der Tod und das Mädchen D.531 ♦ An die Musik D.547 ♦ Hänflings Liebeswerbung D.552 ♦ Lob der Thränen D.711 ♦ Wohin? D.795.2 ♦ Der Neugierige D.795.6 ♦ Der Müller und der Bach D.795.19
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Ständchen D.957.4 ♦ Der Doppelgänger D.957.13 Schumann, Robert (1810-1856) ♦ Die Lotosblume Op.25/7 ♦ Du Ring an meinen Finger Op.42/4 Seidel, Friedrich Ludwig (1765-1831) Senfl, Ludwig (1521-1574) ♦ Ich schwing mein Horn ins Jammertal Sermisy, Claudin de (1495-1562) & Attaignant, Pierre (1494-1552) Søderberg, Wilhelm Theodor (1845-1922) Sola, Carlo Michele Alessio (1786-1857) Spohr, Ludwig (1784-1859) Stölzel, Gottfried Heinrich (1690-1749) Stradella, Alesandro (1639-1682) Strauss, Johann (1825-1899) ♦ Komm in di Gondel, Eine Nacht in Venedig Strauss, Richard (1864-1949) ♦ Nacht Op.10/3 ♦ Wiegenlied Op.41a/1 Strozzi, Barbara (1619-1677) ♦ Amore è bandito, Voice, Lute (Guitar) Toselli, Enrico (1883-1926) ♦ Serenata Rimpianto ♦ La Serenata ♦ Marechiare Vásquez, Juan (1500-1560) ♦ No se que me bulle ♦ ¿Cómo quereis, Madre? ♦ Duelete de mi, Señora ♦ Morenica, dame un beso ♦ Vos me matasteis Vega, Lope de (1562-1635) ♦ Enemiga le soy, madre Verdi, Giuseppe (1813-1901) Aria dall'opera "Rigoletto" adapted for voice and guitar Aria dall'opera "Rigoletto" adapted for voice and guitar Aria dall'opera "La Traviata" adapted for voice and guitar Aria dall'opera "La Traviata" adapted for voice and guitar Aria dall'opera "La Traviata" adapted for voice and guitar Aria dall'opera "Il Corsaro" adapted for voice and guitar Aria dall'opera "Falstaff" adapted for voice and guitar Aria dall'opera "Un ballo in maschera" adapted for voice and guitar ♦ Volta la terra Aria dall'opera "Un ballo in maschera" adapted for voice and guitar ♦ Stride la vampa ! Aria dall'opera "Il Trovatore" adapted for voice and guitar Aria dall'opera "Otello" adapted for voice and guitar Vivaldi, Antonio (1678-1741) shortened version by Alessandro Parisotto (XIX c.) complete version Weber, Carl Maria von (1786-1826) ♦ Ich sah ein Röschen J.67 ♦ Des Künstlers Abschied J.105 Original for voice and guitar "Ah,Dove siete" original for voice and guitar "Ninfe se liete" original for voice and guitar ♦ Canzonetta III J.120 ♦ Romanze J.195. Diana von Poitiers ♦ Und ob die Wolke (Der Freischütz) J.277 ♦ Einsam bin ich J.279/7. Preciosa Weyrauch, August Heinrich (1788-1865) Weyse, Christoph Ernst Friedrich (1774-1842) ♦ Theklas Gesang: Wallesteins Tod – Fr. v. Schiller ♦ Pförtners Gesang: Macbeth – Fr. v. Schiller used in "Duetto buffo di due gatti" attributed to Gioacchino Rossini Yradier, Sebastián (1809-1885) ♦ La Colasa WoO.tr-2 Zelter, Carl Friedrich (1758-1832) ♦ Klärchens Lied (1804): Egmont – J. W. v. Goethe Zumsteeg, Johann Rudolf (1760-1802) ♦ Johannas’s Lebewohl: Jungfrau aus Orleans – Fr. V. Schiller ♦ O Dank: Maria Stuart – Fr. V. Schiller ♦ Thekla: Wallensteins Tod – Fr. V. Schiller |
