Last updated May 23 2019

 

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Musical Archive of originals and adaptations with guitar or lute in PDF by A.Nagytothy-Toth
  Collavoce
  Collevoci
  Chamber music
  Voice and guitar
  Guitar solos
  Concerts
  Musical curiosities

Marco Bazzotti collection

Printed music sheets


Collaborators:

Vincenzo Pocci Italia
Abel Nagytothy-Toth, Canada

Edmar Fenicio, Brasil

Diego Sanchez Haase, Paraguay

Marco Bazzotti, Italia

Dmitry Milovanov, Russia

Marco e Stefano Bonfanti, Italia

 

Contact: info@vpmusicmedia.com


||||| VOICE & GUITAR |||||

Originals and adaptations for voice and guitar or lute in PDF format

Revised and edited by Abel Nagytothy-Toth

This collection will be gradually published. It comes from the Canadian guitarist and musicologist Abel Nagytothy-Toth.

He intends to donate his life time work to the guitar community for public performances and sound engravings only.

For any other use respecting the International Copyright Law, please contact the editor.


free download

You must have Acrobat Reader to view the files. If you receive an error please get the latest version of Acrobat Reader


Many songs are based on old publications (from the epoch of the composer). The editor do not respond for the originality of the instrumentation. It could be an adaptation.

 


Anonym

♦ Arról alul (Kolozs megye)  score

Ej, haj gyöngyvirág  score

Ich armes Maidlein (1549)  score

Kolozsváros  score

♦ Have you seen but a white lily grow ? (XVI-XVII c.)  score

Lye still (XVII c.)  score

How should I your true love know? (Ophelia's song) (XVII c.)  score

Silver threads among the gold  score

The last rose of summer  score

The meeting of the waters (Irish traditional)  score

The harp that once thro' Tara's halls (Irish traditional)  score

♦ Nobody knows de trouble I've seen (Spiritual)  score

♦ Sometimes I feel (Spiritual)  score

♦ Deep river (Spiritual)  score

♦ Angiolina (Canzone)  score

♦ Un mazzo di fiori  score

♦ Farfalletta  score

♦ Vieni sul mar (Canzone Veneziana)  score

♦ Santa Lucia (Canzone Napoletana)  score

♦ Aquel caballero, madre  score

♦ Tres morillas me enamoran  score

♦ En Avila mis ojos (Romance)  score

♦ La Caña  score

♦ Tirana  score

♦ Polo Flamenco  score

♦ El Sol de Madrid  score

♦ Claros soles son (Christmas carol)  score

♦ 4 Canciones Españolas: La flor de la canela, La Manola, La mia doncella, Zorongo score

♦ 4 Armenian folk songs  score


Arne, Michael (1741-1786)

♦ The lass with the delicate air  score


Arne, Thomas (1710-1778)

♦ Would you taste the noontide  score

  from masque "Comus", for voice and lute (guitar)

♦ By dimpl'd Brook  score

  from masque "Comus", for voice and lute (guitar)


Asioli, Bonifacio (1769-1832)

♦ Canzonetta  score


Auber, David François (1782-1871)

♦ Que de mal, de tourmens  score

  Aria from the opera "La Fiancée" - adapted for voice and guitar

♦ Là là là  score

  Aria from the opera "Gustave III o la bal masqué" - adapted for voice and guitar

♦ Voyez su cette roche  score

  Aria from the opera "Fra Diavolo" - adapted for voice and guitar


Bach, Johann Sebastian (1685-1750)

Ins Licht (O finstre Nacht) BWV.492  score

  Schemelli’s Musicalisches Gesang-Buch n.891 - adapted from original for voice and B.C.

Quia respexit BWV.243/3  score

  Aria from "Magnificat" - adapted from original for soprano, oboe d'amore and B.C.


Bailly, Henry de (15..-1637)

Pasacalle - La Folie  score


Balfe, Michael William (1808-1870)

I dreamt that I dwelt in marble halls  score

  Aria from the opera "The Bohemian Girl", adapted for soprano and guitar


Ballet, William (XVI c.)

♦ Lute book lullaby  score


Beethoven, Ludwig van (1770-1827)

♦ Adelaide, Voice (or Violin or Viola), Guitar Op.46 (German text)  score and parts

  Adapted for guitar by Napoleón Coste, from original for voice and piano

♦ Adelaide, Voice (or Violin or Viola), Guitar Op.46 (Italian text)  score and parts

  Italian text by ??, revised by Simona Boni

O wär ich schon Op.72/2  score

  Aria dall'opera "Fidelio", adapted for voice and guitar

Ehre Gottes aus der Natur Op.48/4  forthcoming

Freudvoll und leidvoll Op.84/4 (1810)  score

  Lied from “Egmont”, incidental music for the homonymous tragedy by J.W. v. Goethe (1810), adapted for voice and guitar

Der Kuss Op.128  score

♦ Ich liebe dich WoO.123  score


Bellini, Vincenzo (1801-1835)

♦ La Farfalletta  score

  Aria composed at the age of 12, adapted from original for voice and piano

♦ Vaga Luna  score

  Romanzetta, adapted from the original for voice and piano

♦ Almen se non poss'io  score

  Arietta, adapted from the original for voice and piano

♦ Ma rendi pur contento  score

  Arietta su testo di Metastasio, adapted from the original for voice and piano

♦ Per pietà, bell’idol mio  score

  Arietta, adapted from the original for voice and piano

♦ Ah! Non credea mirarti  score

  Aria dall'opera "La Sonnambula", adapted for voice and guitar

♦ Vi ravviso  score

  Aria dall'opera "La Sonnambula", adapted for voice and guitar

♦ Tutto è gioia  score

  Aria dall'opera "La Sonnambula", adapted for voice and guitar

♦ Casta Diva  score

  Aria dall'opera "Norma", adapted for voice and guitar

♦ Dolci qual arpa  score

  Aria dall'opera "Norma", adapted for voice and guitar

♦ Va crudele al Dio  score

  Aria dall'opera "Norma", adapted for voice and guitar

♦ L’amo, l’amo e m’è si cara  score

  Aria dall'opera "I Capuleti e i Montecchi", adapted for voice and guitar

♦ Se Romeo t'uccise  score

  Aria dall'opera "I Capuleti e i Montecchi", adapted for voice and guitar

♦ Mecco tu vieni  score

  Aria dall'opera "La Straniera", adapted for voice and guitar

♦ Ah! se non m'ami più  score

  Aria dall'opera "La Straniera", adapted for voice and guitar

♦ Suoni la tromba  score

  Aria dall'opera "I Puritani", adapted for voice and guitar

♦ Come t'adoro  score

  Aria dall'opera "Beatrice di Tenda", adapted for voice and guitar


Besard, Jean Baptiste (1567-1625)

Air de Cour  score


Bevilacqua, Matteo (1772-1849)

♦ Cavatina n.1  score

♦ Cavatina n.2  score

♦ Cavatina n.3  score

♦ Cavatina n.4  score


Bianchi, Antonio (1758-1817)

♦ La Smorfiosella  score

  Theme to C. M. v. Weber Op.7 Variations for piano


Bizet, Georges (1838-1875)

Sérénade  score

Voyage  score

♦ Je crois entendre encore  score

  Air de "Les pêccheurs de perles)", adapted for voice and guitar


Blangini, Felice (1781-1841)

♦ Vanne al mio bene  score

♦ Non ti celar con me  score

♦ Son le dottrine  score

♦ La Fedeltà  score

♦ Mais l'heure s'avance  score


Blow, John (1649-1708)

♦ The Self-Banished  score


Bortolazzi, Bartolomeo (1772-1820?)

♦ O caro e bel sembiante  score

♦ Lasciar il mio tesoro  score


Brambilla, Louis (1709-1791)

Romance Op.7/1  score

♦ Le noveau Diogène Op.7/2  score

♦ Stances à mon Epouse Op.7/3  score


Briceño, Luís (15..-1630)

♦ Folías, Voice, Guitar battente 5 strings  score


Caccini, Francesca (1587-1640)

♦ Dove io credea, Voice, Lute (Guitar)  score


Caccini, Giulio (1551-1618)

♦ Amarilli, mia bella  score

♦ Belle rose porporine  score


Caldara, Antonio (1670-1736)

♦ Sebben, crudele  score


Carafa, Michele (1787-1872)

♦ Cavatina "De sdegni tuoi"  score

♦ Un vieux bergier loin du hameau  score

  Aria dall'opera "La Violette" adapted for voice and guitar


Catalani, Alfredo (1854-1893)

♦ Ebben, ne andrò lontana  score

  Aria dall'opera "La Wally" adapted for voice and guitar


Certon, Pierre (1510 ca.-1572) - Morlaye, Guillaume (1510 ca.-1558 ca.)

♦ Psalm CXIV  score


Cherubini, Luigi (1760-1842)

♦ Je n'ai besoin  score

  Aria dall'opera "Anacréon" adapted for voice and guitar


Christiersson, Henrik (1845-1914)

♦ Dulcisimo recuerdo de mi vida  score


Cimarosa, Domenico (1749-1801)

♦ Ah se t’amo  score

  Aria dall'opera "La felicità inaspettata" adapted for voice and guitar

♦ La donna che [è] amante  score

  Aria dall'opera "Gianina e Bernardone" adapted for voice and guitar

Mädchen, wenn ihr in pochenden Herzen  score

  Aria dall'opera "Die Theatralischen Abendteuer" (German version of "L'impresario in angustie" translated by Goethe, 1791) adapted for voice and guitar

♦ Sento che in seno  score

  Aria dall'opera "L'impresario in angustie" adapted for voice and guitar

  probably composed by Tommaso Giordani or Felicie Giardini

Die Spröde un die Bekehrte (Goethe)  score

  2 Lieder by Goethe adapted for voice and guitar

♦ Ah tornar la bella Aurora  score

  Aria dall'opera "La Vergine del Sole" adapted for voice and guitar

♦ Guardami! E in questo ciglio  score

  Aria dall'opera "Gli Orazi ed i Curiazi" adapted for voice and guitar


Conti, Francesco Bartolomeo (1681-1732) [Benedetto Marcello (1686-1739) ??]

♦ Il mio bel fuoco  score


Crescentini, Girolamo (1762-1846)

♦ Tu mi chiedi, omio tesoro  score


Damas, Tomás (1825-1890)

♦ Fandango y Coplas  score


Dannström, Isidor (1812-1897)

♦ Ensam vandrar jig  score

♦ Låt nu sorgen fly  score


Donizetti, Gaetano (1797-1848)

♦ Amor marinaro [Me voglio fa' 'na casa]: Soirée d'automne à l'Infrascata  score

  Song adapted for voice and guitar

♦ Regnava nel silenzio  score

  Aria dall'opera "Lucia di Lammermoor" adapted for voice and guitar

♦ Fra poco a me ricovero darà  score

  Aria dall'opera "Lucia di Lammermoor" adapted for voice and guitar

♦ Cruda funesta smania  score

  Aria dall'opera "Lucia di Lammermoor" adapted for voice and guitar

♦ Quel guardo il cavaliere  score

  Aria dall'opera "Don Pasqualer" adapted for voice and guitar

♦ Com'è gentil la notte  score

  Aria dall'opera "Don Pasqualer" adapted for voice and guitar

♦ Cercherò lontana terra  score

  Aria dall'opera "Don Pasqualer" adapted for voice and guitar

♦ Bella siccome un angelo  score

  Aria dall'opera "Don Pasqualer" adapted for voice and guitar

♦ Au bruit de la guèrre  score

  Aria dall'opera "La fille du régiment" adapted for voice and guitar

♦ Il faut partir  score

  Aria dall'opera "La fille du régiment" adapted for voice and guitar

♦ O Lisbona  score

  Aria dall'opera "Don Sebastiano re del Portogallo" adapted for voice and guitar

♦ Nella fatal di Rimini  score

  Aria dall'opera "Lucrezia Borgia" adapted for voice and guitar

♦ Il segreto per esser felici  score

  Aria dall'opera "Lucrezia Borgia" adapted for voice and guitar

♦ Ah! non aveva più lagrime  score

  Aria dall'opera "Maria di Rohan" adapted for voice and guitar

♦ Per non istare  score

  Aria dall'opera "Maria di Rohan" adapted for voice and guitar

♦ Vien Leonora  score

  Aria dall'opera "La Favorita" adapted for voice and guitar

♦ Spirto gentil  score

  Aria dall'opera "La Favorita" adapted for voice and guitar


Exaudet, André-Joseph (1710-1762)

Menuet Op.2/1  score


Foster, Stephen Collins (1826-1864)

Beautyfull Dreamer  score

  Song adapted for voice and guitar


Franz, Robert (1815-1892)

Widmung Op.14/1  score


Frescobaldi, Girolamo (1583-1643)

Sonetto: Bass, Theorbo (Guitar)  score


Fuenllana, Miguel de (1500-1579)

Duelete de mi, Señora  score

De Antequera sale el moro (de Christobal de Morales)  score


Gade, Nils Wilhelm (1817-1890)

Farvel, lille Grete!  score


Gluck, Christoph Willibald (1714-1787)

♦ O del mio dolce ardor  score

  Aria dall'Opera 'Paride e Enea', adapted for voice and guitar

♦ Che farò senza Euridice  score

  Aria dall'Opera 'Orfeo e Euridice', adapted for voice and guitar


Gomiz y Colomer, José Melchor (1791-1836)

En la cumbre, madre  score


Gounod, Charles (1818-1893)

Medjé  score

  Chanson Arabe adapted for voice and guitar

Sérénade  score

          adapted for voice and guitar

Rêverie  score

          adapted for voice and guitar

Si le bonheur à sourire t’invite  score

          adapted for voice and guitar

Au printemps  score

          adapted for voice and guitar

♦ Ce que je suis sans toi!  score

          adapted for voice and guitar


Grieg, Edward (1843-1907)

Zweei braune Augen Op.5/1  score

  Song adapted for voice and guitar

Solvejgs Lied  score

  Song adapted for voice and guitar

Solvejgs Wiegenlied  score

  Song adapted for voice and guitar


Hallström, Ivar (1826-1901)

Spindevise  score


Händel, Georg Friedrich (1685-1759)

♦ Lascia ch’io pianga HWV.7  score

  Aria dall'opera "Rinaldo" adapted for voice and guitar

♦ Ah! mio cor HWV.34   score

  Aria dall'opera "Alcina" adapted for voice and guitar

♦ Ombra mai fù HWV.40.1   score

  Aria dall'opera "Serse" adapted for voice and guitar

♦ Come and trip it HWV.55  score

  from the Oratorio "L’Allegro, il Penserioso ed il Moderato: Part 1" adapted for voice and guitar

♦ Wow beautiful HWV.56.34a  score

  from the Oratorio "Messiah" adapted for voice and guitar

War, he sang HWV.75/17  score

  from the Oratorio "Alexander's Feast" for voice and lute


Harder, Johann Friedrich (1768-1813)

Romanze  score and guitar part


Haydn, Franz Joseph (1732-1809)

An Thyrsis Hob.XXVIa/8  score

Liebeslied Hob.XXVIa/11  score

A Pastoral Song Hob.XXVIa/27 (My mother bids me bind my hair)  score

Jeder meint, das holde Kind Hob.XXVIa/13  score

Lachet nicht, Mädchen Hob.XXVIa/14  score

An die Geliebte Hob.XXVIa/15  score

♦ Gegenliebe Hob.XXVIa/16  score

Lob der Faulheit Hob.XXVIa/22  score


Heise, Peter Arnold (1830-1879)

Der var en Svend med sin Pigelli  score

Du gav mig den røde Rose  score


Herold, Louis Joseph Ferdinand (1791-1833)

Au plaisir à la folie (Zampa)  score


Isouard, Nicolò (1775-1818)

♦ Romance I (Cendrillon), Soprano  score with German and French texte

♦ Romance II (Cendrillon), Tenor  score with German and French texte


Jensen, Adolf (1837-1879)

♦ Si dormís doncella Op.21/3  score

Margareth am Thore Op.35/5  score


Jommelli, Niccolò (1714-1774)

♦ Chi vuol comprar  score

  Arietta adapted for voice and guitar


Kacsóh, Pongrác (1873-1923)

♦ Az erdo Muzsikál  score


Keller, Karl (1784-1855)

Bolero  score


Kossowits, József (XVIII-XIX)

Lavotta elsı szerelme  score


Kreutzer, Conradin (1788-1857)

Das Mühlrad  score

  Song adapted for voice and guitar

Der Wirthin Töchterlein  score

  Song adapted for voice and guitar


Kuhlau, Friedrich (1786-1831)

Romance  score

  adapted for voice and guitar


Lacome, Paul (1838-1920)

Estudiantina  score

Bonjour, Suzon!  score


LeFèvre, Jacques (XVII c.)

Las! Il n’a nul mal  score

  for voice and lute

N’emprisonnés pas  score

  for voice and lute


Lindbald, Otto (1809-1864)

♦ Lifdrabanten och Kung Eric  score


Liszt, Franz (Ferencz) (1811-1885)

Es muss ein Wunderbares sein  score


Luzzi, Luigi (1824-1876)

♦ Ave Maria Op.80  score

  Song adapted for voice and guitar


Mahler, Gustav (1860-1911)

Ich atmet’ einen linden Duft  score


Malibran, Maria (1808-1836)

L’Ecossais  score

  Romance for voice and guitar

  ♫→ link Alfrun Schmid, guitar Jelma van Amersfoort

Le retour de la Tyrolienne  score

  Romance for voice and guitar


Marín, don José (1619-1699)

♦ Pasacalle  score


Martini, Jean Paul (1741-1816)

Plaisir d’amour  score and guitar part

  Song adapted for voice and guitar


Massenet, Jules (1842-1912)

Á Colombine  score

  Song adapted for voice and guitar

Élégie  score

  Song adapted for voice and guitar

♦ Souvenir de Venise  score

  Song adapted for voice and guitar

Loin de moi  score

  Song adapted for voice and guitar

Le sais-tu ?  score

  Song adapted for voice and guitar

♦ Crépuscule  score


Mendelssohn-Bartholdy, Felix (1809-1847)

♦ Auf Flügheln des Gesanges Op.34/2  score

Venetianisches Gondellied Op.57/5  score


Mengozzi, Bernardo (1758-1800)

♦ Se m’abbandoni mio dolce amore  score


Mercadante, Saverio (1795-1870)

♦ La Dea di tutti i cor  score

  from Il Giuramento, adapted for voice and guitar


Meyerbeer, Giacomo (1791-1864)

Robert, Robert toi que j’aime  score


Moniuszko, Stanislaw (1819-1872)

Cztery pory roku  score


Morlaye, Guillaume (1510 ca.-1558 ca.) - Certon, Pierre (1510 ca.-1572)

♦ Psalm CXIV  score


Mozart, Wolfgang Amadeus (1756-1791)

♦ Das Veilchen KV.476  score and guitar part

Non so più cosa son KV.492/6  score and guitar part

  from Le Nozze di Figaro, adapted for voice and guitar

Porgi amor KV.492/10  score

  from Le Nozze di Figaro, adapted for voice and guitar

Voi che sapete KV.492/12  score and guitar part

  from Le Nozze di Figaro, adapted for voice and guitar

Giunse al fin il momento KV.492/27  score

  from Le Nozze di Figaro, adapted for voice and guitar

Abendempfindung KV.523  score and guitar part

An Chloë KV.524  score

♦ Vedrai, carino KV 527/19  score

  from Don Giovanni adapted for voice and guitar

♦ Un moto di gioia KV.579  score

  aria sostitutiva per Le Nozze di Figaro, adapted for voice and guitar

Ave verum KV.618  score

♦ Die Bildnis KV 620/3  score

  from Die Zauberflöte adapted for voice and guitar

♦ O Isis und Osiris KV.620/10  score

  aria of Sarastro from Die Zauberflöte adapted for voice and guitar

Ach, ich fühl’s KV.620/17  score

  aria of Pamina from Die Zauberflöte adapted for voice and guitar

Lacrymosa KV.626/7  score

  from Messa di Requiem, adapted for voice and guitar

Minna’s Augen KV.809. Anh.249    score

  Incorrect attribution. The Lied (text by Alois Blumauer) was composed by A.E.Müeller


Paër, Ferdinando (1771-1839)

♦ 4 Ariette Italiane e Tedesche  score

♦ La biondina in gondoletta  score and guitar part

♦ L'amante infelice adapted by Mauro Giuliani  score

♦ Pupille tenere adapted by Mauro Giuliani  score

♦ La timida dichiarazione adapted by Mauro Giuliani  score


Paladilhe, Emile (1844-1926)

♦ Mandolinata  score and guitar part


Pergolesi, Giovanni Battista (1710-1736)

♦ Ogni pena  score


Pestalozza, Alberto (1851-1934)

Ciribiribin: 1 or 2 Voices, Guitar   see Collevoci


Pettoletti, Pietro (1797-1870)

♦ The Red Sarafan Op.19  score


Piantanida, Giovanni (1705-1782)

♦ Bolero  score


Pisador, Diego (1509-1557)

♦ Si la noche hace oscura  score


Ponce, Manuel (1882-1948)

♦ Estrellita  score


Puccini, Giacomo (1858-1924)

♦ Oh! Mio Babbino caro: Gianni Schicchi  score


Purcell, Henry (1659-1695)

Strike the viol  score


Puzzi, Giovanni (1792-1876)

Disperato in mar turbato  score


Reichardt, Johann Friedrich (1752-1814)

♦ Des Mädchens Klage; Wallensteins Tod - Friedrich von Schiller  score

Klärchens Lied (1804); Egmont - J. W. v. Goethe  score


Rode, Pierre (1774-1830)

♦ Al dolce canto  score


Rosa, Salvator (1615-1673)

♦ Cortese un guardo  score

♦ Vado ben spesso  score


Rossini, Gioacchino (1792-1868)

♦ Mi lagnerò tacendo  score

♦ Se il mio nome (Il Barbiere di Siviglia)  score

  ♫→ link Giuseppe Sabbatini

  ♫→ link Luigi Alva, 1972

  ♫→ link Tito Schipa, 1926

Il vecchietto cerca (Il Barbiere di Siviglia)   score

Ecco ridente in cielo (Il Barbiere di Siviglia)   score

Bell'alme generose (Elisabetta Regina d'Inghilterra)   score

Dal tuo stellato soglio (Mosè in Egitto)  score

Come dolce all'alma mia (Tancredi)  score


Rubinstein, Anton (1829-1894)

♦ Du bist wie eine Blume  score


Ruisseau, Jean Jacques (1712-1778)

♦ J'ai perdu tout mon bonheur  score


Rung, Henrik (1807-1871)

Sang af Cymbeline. Cymbeline – W. Shakespeare  score


Scarlatti, Alessandro (1659-1725)

Scherza   score


Schubert, Franz (1797-1828)

Schäfers Klagelied D.121a  score

Die Liebe D.210  score

Erlkönig D.328  commentary  guitar part

♦ Litanei D.343  score

Des Mädchens Klage D.389  score

♦ Der Tod und das Mädchen D.531  score

An die Musik D.547  score

Hänflings Liebeswerbung D.552  score

Lob der Thränen D.711  score

Wohin? D.795.2  score and guitar part

Der Neugierige D.795.6  score

Der Müller und der Bach D.795.19  score

Nacht und Träume D.827  score

Widerspruch D.865  score

An die Laute D.905  forthcoming

Gute Nacht D.911/1  score

♦ Der Leiermann D.911/24  score

Ständchen D.957.4  score

Der Doppelgänger D.957.13  score


Schumann, Robert (1810-1856)

Widmung Op.25/1  score

Die Lotosblume Op.25/7  score

Du Ring an meinen Finger Op.42/4  score

Ich grolle nicht Op.48/7  score


Seidel, Friedrich Ludwig (1765-1831)

♦ Bolero  score


Senfl, Ludwig (1521-1574)

Ich schwing mein Horn ins Jammertal  score


Sermisy, Claudin de (1495-1562) & Attaignant, Pierre (1494-1552)

♦ Tant que vivray  score


Søderberg, Wilhelm Theodor (1845-1922)

♦ Demanten på Marssnön  score


Sola, Carlo Michele Alessio (1786-1857)

♦ Romance  score


Spohr, Ludwig (1784-1859)

Romanze (Zemir und Azor)  score


Stölzel, Gottfried Heinrich (1690-1749)

♦ Bist du bei mir (Diomedes)  score


Stradella, Alesandro (1639-1682)

♦ Così Amor mi fai languir  score

Pietà, Signore!  score


Strauss, Johann (1825-1899)

Komm in di Gondel, Eine Nacht in Venedig  score


Strozzi, Barbara (1619-1677)

♦ Amore è bandito, Voice, Lute (Guitar)  score


Toselli, Enrico (1883-1926)

♦ Serenata Rimpianto  score


Tosti, Paolo (1846-1916)

♦ La Serenata  score

♦ Marechiare  score


Vásquez, Juan (1500-1560)

No se que me bulle  score

¿Cómo quereis, Madre?  score

Duelete de mi, Señora  score

Morenica, dame un beso  score

Vos me matasteis  score


Vega, Lope de (1562-1635)

♦ Enemiga le soy, madre  score


Verdi, Giuseppe (1813-1901)

♦ Tutte le Feste  score

  Aria dall'opera "Rigoletto" adapted for voice and guitar

♦ Questa o Quella  score

  Aria dall'opera "Rigoletto" adapted for voice and guitar

♦ Addio del Passato  score

  Aria dall'opera "La Traviata" adapted for voice and guitar

♦ Di Provenza il mar  score

  Aria dall'opera "La Traviata" adapted for voice and guitar

♦ Ha! fors'è lui  score

  Aria dall'opera "La Traviata" adapted for voice and guitar

♦ Vola Talor  score

  Aria dall'opera "Il Corsaro" adapted for voice and guitar

♦ Quando ero paggio   score

  Aria dall'opera "Falstaff" adapted for voice and guitar

♦ Saper vorreste  score

  Aria dall'opera "Un ballo in maschera" adapted for voice and guitar

♦ Volta la terra  score

  Aria dall'opera "Un ballo in maschera" adapted for voice and guitar

♦ Stride la vampa !  score

  Aria dall'opera "Il Trovatore" adapted for voice and guitar

♦ Ave Maria   score

  Aria dall'opera "Otello" adapted for voice and guitar

♦ La Zingara  score


Vivaldi, Antonio (1678-1741)

♦ Sposa son disprezzata  score

  shortened version by Alessandro Parisotto (XIX c.)

♦ Sposa son disprezzata  score

  complete version


Weber, Carl Maria von (1786-1826)

Ich sah ein Röschen J.67  score

Des Künstlers Abschied J.105  score

  Original for voice and guitar

Was nun zu machen? J.106/2 (Abu Hassan) see Musical curiosities: Arias from the opera Abu Hassan (Thousand and one nights. Volume 4. #350-351) adapted by Theodore Gaude, revised and edited by Abel Nagytothy-Toth

Wird Philomele trauern J.106/5 (Abu Hassan) see Musical curiosities: Arias from the opera Abu Hassan (Thousand and one nights. Volume 4. #350-351) adapted by Theodore Gaude, revised and edited by Abel Nagytothy-Toth

Hier liegt! J.106/8 (Abu Hassan) see Musical curiosities: Arias from the opera Abu Hassan (Thousand and one nights. Volume 4. #350-351) adapted by Theodore Gaude, revised and edited by Abel Nagytothy-Toth

Canzonetta I J.108  score

  "Ah,Dove siete" original for voice and guitar

♦ Canzonetta II J.124  score

  "Ninfe se liete" original for voice and guitar

♦ Canzonetta III J.120  score

Romanze J.195. Diana von Poitiers  score

♦ Und ob die Wolke (Der Freischütz) J.277  score

Einsam bin ich J.279/7. Preciosa  score


Weyrauch, August Heinrich (1788-1865)

Adieu  score


Weyse, Christoph Ernst Friedrich (1774-1842)

Theklas Gesang: Wallesteins Tod – Fr. v. Schiller  score

Pförtners Gesang: Macbeth – Fr. v. Schiller  score

Katte Cavatine score

  used in "Duetto buffo di due gatti" attributed to Gioacchino Rossini


Yradier, Sebastián (1809-1885)

♦ La Colasa WoO.tr-2  score


Zelter, Carl Friedrich (1758-1832)

♦ Klärchens Lied (1804): Egmont – J. W. v. Goethe  score


Zumsteeg, Johann Rudolf (1760-1802)

Johannas’s Lebewohl: Jungfrau aus Orleans – Fr. V. Schiller  score

♦ O Dank: Maria Stuart – Fr. V. Schiller  score

Thekla: Wallensteins Tod – Fr. V. Schiller  score