Oleg KISELEV
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Reviews
Classical Guitar - May 2014
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LENIN STREET BLUES YOUNG GUITARISTS ALBUM by Oleg Kiselev GuitarPrint. 50pp. Kiselev's music is well known to me. I have seen numerous volumes from this talented writer, and often a large number of pieces in every volume. Now this should imply that at least some of it I would be throwaway material, but this is rarely if ever the case, as the vast majority of his guitar music is imaginative, extremely varied in its many styles, and vividly written. This latest volume has no less than 30 pieces, split into 4 chapters, ranging in difficulty from Morning Song a simple idea that begins in two voices before adding some larger chords partway through, to the complexities of the final 5-movement E-Mail Suite which has everything from multiple chords in high positions to many rhythmic difficulties. Many of the pieces are a great deal of fun, and are childlike in their appeal and he does make the point that the edition is targeted towards intermediate and upper grade students of musical schools and colleges. I still fear however that some of these pieces are very tricky indeed and to play the last few in the book you would have to be a considerably talented player. Nevertheless the music within is very melodic, with blues, ragtime, waltzes, romances, and many other genres beautifully captured, and so if his melodic imagination sounds like something you might enjoy, then have a look at this book. and the many others available by this writer. (Chris Dumigan) |
Classical Guitar - July 2013
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CLOUDS
- YOUNG GUITARISTS ALBUM |
Classical Guitar - January 2013
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20 PIECES IN FIRST POSITION by Oleg Kiselev Les Productions d'OZ. 23pp. Oleg Kiselev writes in an accessible and imaginative musical style and this cycle of 20 pieces explores first position with a wide variety of melodic,rhythmic and textual ideas. Each piece has an imaginative title and maintains a particular mood throughout. There is a fairly wide range of difficulty here, from Song of the Spring Birds, a 16-bar single melodic line in C major, up to complexities of three and four part, chords with accidentals in the capricious Small Fidget. Care is taken to make everything easily playable, however, Melody lines are attractive, if predictable a range of keys are used - Dream Waltz moves from E major to E minor: Cowboy and Girl from C major to E flat major. Aquarium Fishes is effective in G major with unsettling accidentals. A range of time signatures and rhythmic ideas are explored - Song About Russia is in 6/8 with a melody punctuated by pedal bass notes; Steppe Breeze switches between semiquavers and quavers in repeated patterns over held bass notes. Hasty Etude requires chromatic semiquaver passages and staccato. The quirkily titled Incorribible Shirker of Lessons requires playful alternation of pizzicato and golpe with swing quavers; Dancing Solar patches of Light has a simple waltz rhythm; Warm Summer Rain has mostly continuous quaver movement throughout, requiring good right hand control. Clearly set out, easy to read with no fingering and few extraneous markings., this volume is useful for aiding the development of a sense of character and, mood in performance. Its carefully restricted technical means makes it particularly suitable for capable young players ,in the grade two to four range. Recommended. (Linda Ketsall-Barnett) |
Classical Guitar - January 2013
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AQUARIAN FISHES YOUNG GUITARIST'S ALBUM by Oleg Kiselev Music Production International. 66pp. This volume by the Russian guitarist and composer Oleg Kiselev contains 68 pieces aimed at the younger player from the earliest stages up to an advanced level. There are four sections: Fifty Pieces in First Position range from miniatures to around 36 bars in length; Ten Pieces For Young People contains more complex musical ideas and textures and Provincial Suite and Ecological Suite, each containing four pieces, embrace a far more complex sound-world. Throughout, titles are imaginative (verging on the bizarre), aimed at inciting the imagination to help create an effective sound-picture. The opening pieces in the first section {20 of which appear in Kiselev's separate volume Twenty Pieces in First Position) are single-line or simple two-part exercises mostly moving by step with straightforward rhythms and melodic shape: The Lost Kitten develops simple scalic work on the treble strings, introducing a bass line; The Glutton Dance places the bass simultaneously with the melody; The Knight's Ballade has rests in the bass line. Textures are developed through simple arpeggio exercises and chords. Contrasting moods are encouraged through titles such as The Grandmother Recollects her Youth, Wake Up and My Mum's Favorite Ringtone, and there is gradual inclusion of more complex technical requirements such as key signatures, accidentals and a variety of rhythmical ideas. The title piece, Aquarian Fishes, contains triplet arpeggio figures and a witty bass line with evocative chords - fun to play and shape dynamically, it falls easily under the fingers and gives an effective result. Ten Pieces For Young People requires a standard of playing around the grade four mark - An Old Rusty Knight's Sword, marked recitando, is an evocative depiction moving from a chordal texture through pizzicato to strummed major seventh chords, finally fading away with harmonics. Kite is a joy to play, moving around the fingerboard with an attractive melody, appoggiaturas and an effective chord section. Towards Distant Shores is a quiet contrast with a profusion of harmonics and After the Holiday creates its nostalgic tone with a sustained melody. I cannot imagine my students wishing to play a piece titled 38.7 Temperature - marked serioso, this is a solemn creation in G minor. Invasion has far more dramatic appeal with aggressive sliding chords and parallel fourths. Romance of a Christmas Tree Thrown into a Dump, again in G minor, is appropriately, melancholy and the witty Cowboy Who Was Lucky to Save His Scalp bounces around the fingerboard with swung quavers and staccato chords in D major. The Provincial Suite requires a playing level of at least Grade seven: On the Waves of My Memory is inviting to play with a haunting melody and attractive sonorities in the displayed chords. A repeated pattern of descending harmonics leads to a fitting repeat of the opening phrase, To Moscow, To Moscow , has the feel of a fast agitated - jazz elements in the harmony and effective sliding chords create a dramatic sense of momentum The Old Family Picture is more complex in texture with shifts in tempo: Provincial| Beauty has challenging chromatic chord passages and a swing section to close. The Ecological Suite looks extremely complex on the page but fits under the fingers well; tire four pieces here are contemporary in feel and require good musical knowledge, understanding of the fingerboard and an ability to articulate at speed. Dead River opens with demisemiquaver figurations and includes a fast and dramatic rasgueado section; the waltz Dance of the Mutant in Love includes the special effect of crossing the first two strings for a percussive effect and a witty swing section, with a long run of triplets before its final chords. The Air Seller requires a feeling of spaciousness with freedom to enjoy the harmonies and chromatic passages. Asphalt Kids opens with a cool jazz theme. reminiscent of West Side Story, and proceeds, with attitude, to involve parallel fourths and muted chord sections. A highly dramatic 8/8 section closes with glissandi dawn the sixth string to Bartok pizzicato. This piece is fun to play a highly effective. A huge range of material here, within one cover - and although it is aimed at the Young Guitarist, there is much to enjoy for those who are, perhaps, outside this category. (Linda Ketsall-Barnett) |
Classical Guitar - May 2009
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BLUES OF THE LATE TRAIN |
Classical Guitar - April 2009
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TEN EASY PIECES
for
solo guitar |
Classical Guitar - November 2008
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TEN EPISODES IN A YOUNG
GUITARIST'S DAY |
Classical Guitar - October 2008
link to order the book
http://www.davoy.no/collections/types?q=Noter%2FCD-er+Klassisk+gitar
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ENGLISH SUITE |
Classical Guitar - January 2008
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THE BIRCH-TREE IN THE FIELD
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Classical Guitar - November 2007
link to order the books http://www.productionsdoz.com/en/sheet-music-for-guitar/2-guitars/kiselev-oleg/DZ-904.html
fullresults.cfm-direction=back&mode=pb&deptid=45&classid=134 |
TEN UNIVERSAL DUETS
FOR TWO GUITARS
REPERTOIRE
FOR THE BEGINNING GUITARIST |
Classical Guitar - August 2007
links to order the books http://www.productionsdoz.com/en/sheet-music-for-guitar/solo-guitar/kiselev-oleg/DZ-894.html http://www.productionsdoz.com/en/sheet-music-for-guitar/solo-guitar/kiselev-oleg/DZ-895.html http://www.productionsdoz.com/en/sheet-music-for-guitar/solo-guitar/kiselev-oleg/DZ-896.html
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GUITARISTS FIRST STEPS
GUITARISTS FIRST STEPS
GUITARISTS FIRST STEPS |
Classical Guitar - June 2007
link to order the book http://www.editions-delatour.com/panier.php?no_article=DLT1341&ajout=vrai
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THE SEASONS |
Classical Guitar - August 2006
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GREETINGS FROM RUSSIA: |
Classical Guitar - July 2006
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http://www.clearnote.net/cgi/search.php?zoom_query=soloworks |
COSTUME DANCES: |
Classical Guitar - July 2006
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TOWARDS
DANGERS
AND
ADVENTURES |
Classical Guitar - September 2005
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order the book samples in pdf: |
STRAWBERRY WITH
CREAM
Music Production International. 48 pp (includes CD of entire contents). |
Classical Guitar - October 2005
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TEN
MINIATURES
FOR GUITAR
Edizioni Musicali
Eufonia |
Classical Guitar - February 2004
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AUTUMNAL
SUITE, JAZZ-SUITE, and HAVE A MOMENTS REST FROM CARCASSI (ALBUM OF
CHILDREN'S JAZZ PIECES) |
Guitart International - Oct/Dec 2003
Oleg Kiselev |
Classical Guitar - November 2002
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TEN MUSICAL ETUDES |
Seicorde - n.71 2002
IN RUSSIA
IMPARANO COSI |